I wanted to take a moment to acknowledge Anne Friedberg, a brilliant scholar I had the privilege of collaborating with on a project called “The Virtual Window Interactive,” a companion piece to her book The Virtual Window: From Alberti to Microsoft. Anne passed away a week ago today.
In the brief time during which I worked with Anne, I found her to be not just a brilliant thinker, but a wonderful collaborator with an infectious enthusiasm for the potential of the field. “The Virtual Window Interactive” was one of those rare projects which almost seemed to design itself, as if the ideas Anne had been exploring were anxiously awaiting just this kind of outlet. The inherent visual qualities of Anne’s subject matter, the excitement she had for the medium, and the depth and clarity of her analysis made the project a real pleasure to develop.
Most of our real-time contact during the project was via three-way videoconferences between Anne, Steve Anderson (who orchestrated our meeting and facilitated the project) and myself. I had a habit of taking screenshots during these calls, and thought I’d share an image of one of our lighter moments (see below). I remember Anne being intrigued by the “windows” of the videoconferencing interface itself; throughout the development of the project she was keen to stay abreast of the dizzying changes happening in screen space and wanted the piece to speak to those changes as much as possible.
Others have reflected more thoroughly on the breadth of Anne’s considerable contributions to her field and the positive impact she had on those who knew her personally. I didn’t know Anne well, but I’m grateful for even the brief chance I had to work with such a remarkable person. Thank you, Anne.
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Here’s a list of links to works cited in my recent talk “Storytelling in the Age of Divided Screens” at Gallaudet University.
I’m very happy to announce the launch of “Timeframing: The Art of Comics on Screens,” a new website that explores what comics have to teach us about creative communication in the age of screen media.
To celebrate the launch of Upgrade Soul, here’s a screen shot of an eleven year old prototype I made that sets artwork from Will Eisner’s “The Treasure of Avenue ‘C’” (a story from New York: The Big City) in two dynamically resizable panels.
The last couple of months have seen an uptick in published commentary on Strange Rain, much of it owing to notice the app received at this year’s Modern Language Association conference in Seattle.
Dialogue bubbles huddle together in the Unity authoring environment like backstage theatre performers awaiting their chance to shine in the forthcoming iOS and Android release Upgrade Soul, from Opertoon.