Animation,
Exemplary Work,
8/28/07
There’s a wonderful reverberation in there. It’s the concrete floors that propagate it–reminding you that you’ve been welcomed inside an experiment, a work in progress. Even though I enjoyed the Reuben, it was carpeted, and thus robbed of that reverberation, that sound that came to represent a massive space filled with physically principled play. I assume the reverberation is still there, but I haven’t been to the Exploratorium in probably 20 years, so maybe one of you can leave a comment and reassure me that it hasn’t changed.
My favorite memory there is of an installation called Recollections, by Ed Tannenbaum, which I must have seen in the early 1980s. Standing in front of a large video projection, your silhouette is captured, colored, and added to the image being projected, in real time. The result is that your movements leave cycling washes of color, creating a hypnotic feedback loop between your actions and the screen’s reactions. (Ed periodically updates the piece to keep up with the technology curve.)
I remember being aware of the pixelation of the display, which makes sense, seeing as its resolution was only 256 x 240. I remember an indistinct realization that the colors were passing through the pixels—that the silhouettes weren’t actually self-contained objects, but data passing through a static grid. I remember the palette shifts that would change the whole tone of the experience, and waiting for my favorite ones to reappear. I think I was vaguely aware that the piece was running on an Apple II—the technology felt within reach. Mainly though, I remember just being really happy, and not wanting to leave. Yeah. Stuff like that would be good to make.
Thanks, Ed, that was awesome.
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